Editorial Services for Children’s Books and YA

As an award-winning editor, I take pride in supporting authors through their creative journeys from early drafts to polished books.

With specialized training in books for young readers, I provide manuscript evaluations and editing services to publishers and authors of picture books, early readers, middle grade books, graphic novels, and YA.

I am also pleased to work with aspiring authors to help craft books that young readers will be excited to have on their shelves. Whether you plan to self-publish your novel or pitch it to literary agents or publishers, I can make your manuscript shine.

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Services at a Glance

  • Manuscript Evaluation

    An editorial letter providing a bird’s eye view of how the major craft elements are currently working within your manuscript and how to make them even better.

  • Developmental Editing

    A big picture edit that will help you revise, reorganize, expand, or even cut certain elements of your manuscript in the service of developing a stronger story.

  • Stylistic Editing

    A paragraph-by-paragraph and sentence-by-sentence edit creating a seamless narrative thread that will literally keep your readers hanging on your every word.

  • Copy Editing

    A word-by-word edit dealing with grammar, spelling, punctuation, continuity, and minor fact checking to create a polished, professional document.

  • Working with Erin was an absolute pleasure! After receiving a sample edit, she patiently guided me through the whole editing process and was easy to communicate with. From figuring out what kind of edit my manuscript needed, to how to interpret the edits, she was always available to answer any question I had. She knew the exact tone and style I was aiming for and the edits she made strengthened my story more than I could have imagined. I felt like my manuscript was safe in her hands.

    Michael Simon, fiction writer

  • I reached out to Erin seeking a children’s book editor for my first ever manuscript and I got much more. She offered me clever advice and encouraged me throughout the entire process! Erin’s thoughtfulness has truly improved my manuscript and my writing overall. I can’t wait to approach her again with more ideas.

    Jessica Ramnarine, picture book writer

  • Erin provided a developmental edit on my children’s picture book manuscript and working with her was a great pleasure. She provided thoughtful insights and suggestions at so many levels of the story: metaphor, the level of anthropomorphism, word choice, and rhythm. Erin asked questions that helped me define my purpose and vision for the book and was very clear and effective in communicating her thoughts. Throughout the process she was incredibly positive and encouraging, which gave me the confidence to try new things and take advice that at first read, seemed very difficult.

    Mandy Brown, picture book writer

  • Erin's positive encouragement and assurances helped me tremendously. Her view of the big picture and the structure of the book was evident early on. The recommendations she made were always highly insightful and her reasons for them were very well explained. We had some wonderful interactions over how to explain or describe things. This book would not be as polished and refined without her talent. I actually had the sense right from our first contact that she was the right editor for this project.

    Randy Wilson, author of Equine and Animal Reiki

  • After working on my book for so long, it was not easy to reach out to a stranger for assistance, but after working together with Erin I can honestly say I am glad I did. I don’t think there was a single item that I asked for that she did not address. In her manuscript evaluation I could tell she took the time to understand what I was trying to achieve with my story and provided great ideas on how to significantly improve the manuscript. I would highly recommend Erin to any writer, but especially to those looking to bring their story to the next level through a manuscript evaluation.

    James Johnson, middle grade writer

  • Working with Erin Della Mattia was an absolute delight! This was my first attempt at moving from academic to fiction writing and Erin offered incredibly helpful and insightful feedback on both my approach to story development and manuscript overall. Her comments were clear and direct. She provided excellent guidance as to how to proceed, offering innovative ideas on how I could strengthen the characterization and narrative. Her feedback was critically-oriented and she treated the subject matter with sensitivity. Through Erin’s support, I feel equipped, and inspired, to keep writing. I sincerely hope to work with her again!

    Gillian Parekh, speculative YA writer

My name is Erin Della Mattia and I’m a freelance book editor and writer from Brampton, Ontario, Canada.

I am the co-author, with Monica Franklin, of Undaunted Ursula Franklin: Activist, Educator, Scientist (Second Story Press 2024).

Drawing from trauma-informed and anti-oppressive editing practices, I use a consent-based framework to create a collaborative editing environment that prioritizes encouragement, curiosity, and transparent communication.

What this means is that I sometimes have to ask tough questions of a manuscript in the service of making it stronger. I offer explanations for my suggestions and am happy to have open discussions about tricky topics. And I always remind the author that they are in control of their book.

About the Editor

What I Edit

I edit fiction and nonfiction for young readers, including: picture books, early readers, middle grade, young adult, and graphic novels.

To date, I’ve edited everything from alphabet books to biographies for middle grade readers to dystopian YA.

I have a particular fondness for speculative fiction: fantasy, dystopian novels, gothic novels, horror—if you can dream it up, I can edit it!

Rates

My rate varies by service and the complexity of the manuscript at hand.

Please fill out my webform to request an estimate for your project.

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Land Acknowledgment

I live and work in Brampton, Ontario, in an area located within the bounds of the Ajetance Purchase (also know as Treaty 19) which was agreed upon, under complicated circumstances, by the Mississaugas of the Credit First Nation and the British Crown in 1818. In addition to being the Territory of the Missussaugas of the Credit, this area is also the traditional territory of the Huron-Wendat, Neutral, Petun, and Haudenosaunee Nations.

Originally a landscape of forests and wetlands, European settlers began using the fertile soil to establish permanent farms starting as early as the 1600s. The 1970s saw the rise of suburban development, and within my own lifetime almost all of Brampton’s farmland has been developed into housing subdivisions and shopping centres.

Given the history of this place and my own position in it as a settler, I believe it is my duty to honour the land itself by planting native flora and supporting pollinators; to learn about Indigenous histories and engage with Indigenous creative and intellectual work; and to uphold non-discriminatory, supportive editing practices.

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